Mar. 1st, 2024

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 The cover of "Anna Karenina Isn't Dead: The Rewritten Lives of Literary Legends" from Improbable Press, edited by Atlin Merrick. Cover art by Claudia Caranfa: multi-ethnic women's faces in misaligned orientation.
ALT

It’s here!! Anna Karenina Isn’t Dead from Improbable Press

The anthology

Welcome to the rewritten lives of thirty-two literary legends

From Russia’s Anna Karenina to Vietnam’s Lady Trieu, from Cio-Cio-San to Frankenstein's second creature, suffering, madness, or death is the fate of far too many women in classic literature. Anna Karenina Isn’t Dead undoes that.

In this anthology of literary women, these women live. Do they have a happily ever after? You’ll see. Do they have a happy-right-now? Oh yes.

These are the reimagined tales of the famous, the infamous, the barely mentioned women in myths, poems, and legends. These are the stories of the Lady in Black, Wendy Darling, Dido, and many more, each getting a better journey than the one she originally got.

Here Anna Karenina and her literary kin are not dead. Very far from it.

Edited by Atlin Merrick; Cover artwork by Claudia Caranfa

My story

My mother and I loved the poem “The Highwayman” by Alfred Noyes, and I jumped at the chance to write Bess a better ending. In my story “Love Knot,” I gave her five minutes’ notice of the soldiers’ arrival, and she did the rest.

King George’s men saw Samuel only as a highwayman, a rogue, a thief. They knew his rich clothes, but not how they smelled of sun and sweat and the cold road. They knew the weapons beneath his coat, but not how he liked to use his rapier to cut apples from a tree, how he would flash his shiny pistols at the children who gathered to hear his stories of daring battles for yellow gold. They knew he’d given a confession of love to Bess. They didn’t know what it had sounded like in the earnest voice of a boy who was then only eight years old.

Order here

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